The history and politics of Vande Mataram
Anandmath
is replete with glorification of incidents of “cleansing” of Muslims
like the following one: "The rural people ran out to kill the
Muslims...they torched their houses and looted their everything.
By Shamsul Islam
The
song Vande Mataram is in news once again, though for wrong reasons. The
current controversy started with a meeting organized by the minority
cell of the BJP in the city of Taj Mahal, Agra on February 25. This
meeting, organized in order to mobilize Muslims for the forthcoming
parliamentary elections, ended up with about 50 of Muslim invitees
singing Vande Mataram. Interestingly, singing of Vande Mataram in this
meeting was an exception as the BJP meetings in general do not have
singing of this song on agenda. The controversy started when a local
Muslim cleric (see MG, 1-15 April 2004) came out with a “fatwa”
decreeing that all the Muslim singers of the Vande Mataram by singing
it indulged in polytheism and as a consequence ceased to be Muslims.
The mufti also decreed that their marriages stood annulled and they
should re-solemnise their marriages.
Vande Mataram
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Interestingly, the Hindutva gang has been raking up this issue
periodically as part of Muslim-bashing since Independence, especially
on the eve of elections. As part of anti-Muslim propaganda they coined
the slogan "Iss desh maen rehna hae to Vande Mataram kehna hoga" (If
you want to live in this country, you will have to sing Vande Mataram).
The fundamental problem with Indian
nationalist symbols like Vande Mataram is that by simply adding
Muslim/minority angle to these, one can thwart any serious scrutiny and
worthwhile debate about the pre-Independence controversies over these
symbols. The Hindutva gang, especially the RSS which played absolutely
no role in the anti-colonial freedom struggle, now wants to cover up
its betrayal by posing as the sole guardian of nationalist symbols like
Vande Mataram.
A thorough scanning (undertaken by this
author) of the pre-Independence literature/documents published by the
RSS shows that there is absolutely no reference there to Vande Mataram,
what to talk of singing it. Startlingly, Vande Mataram as a term does
not appear in the writings of KB Hedgewar and MS Golwalkar either. And
after Independence the same gang wants to use this song to beat Muslims
with.
The protagonists of a democratic-secular India have failed in exposing
the Hindutva stalwarts who have been pitting Vande Matram against the
National Anthem, Jana Gana Mana and denounce Muslim and Sikh
fundamentalists for their non-allegiance to the Tricolour and the
National Anthem, the two symbols of Indian nationalism. The secular
India has miserably failed to corner the Hindutva gang which itself
wants to replace the secular National Anthem by Vande Mataram and the
Tricolour by saffron flag. This is abundantly clear from the practice
of the RSS shakhas, and the RSS vision of replacing the Indian
democratic-secular state with a Hindu rashtra.
A section of the so-called Muslim
leadership, devoid of common sense and ignorant of nationalist
heritage, reacted to the Hindutva game plan along expected lines.
Playing into the hands of Hindutva brigade 'Muslim leaders' like the
Agra Mufti simply provided legitimacy to its strategy of
Muslim-bashing. Unfortunately, even a section of secular Muslims have
shown panic reaction by declaring that Muslims should not object to the
singing of this song. They innocently believe that Muslims by not
singing this song are inviting wrath of Hindutva. They overlook the
fact that even Dalits, Christians, Buddhists and other minorities, who
have not raised objections against Vande Mataram, have not been spared
by the Hindutva gang.
The need of the hour is that we should not run away from a serious
debate on the issue of the Vande Mataram under one pretext or the
other. In order to know the truth and understand the whole controversy
over Vande Mataram it is important to be familiar with the following
facts which have been gathered from wide pre-Independence sources.
Vande Mataram was dogged by one controversy or another from the day it
was first printed in Banga Darshan (edited by Bankimchandra Chatterjee)
in 1875. It was a strange composition in the sense that it was written
in two languages. The song consisted of 4 stanzas, the first two in
Sanskrit and the rest in Bengali. Poet Navin Chandra Sen, a close
friend, told Bankim after reading the song: "You see, it is all good,
but the whole thing is spoilt by your potpourri of half Bengali and
half Sanskrit. It reminds me of Govind Adhikari's Jatra songs. People
do not like it."1 In fact, this song was not known by many despite the
fact that Jadu Bhatt, a renowned singer of those days and a
contemporary of Bankim, liked the song and set it to an attractive
tune. The situation did not change even in 1882 when Bankim included
this song in his controversial novel Anandmath. Rabindranath Tagore
composed a new tune for this song in 1885 but despite its rendering by
a very popular Bengali poet it did not attract much attention.
Interestingly, Vande Mataram which came to be known as the “national
song” was composed by Bankim as a “Bengal anthem”, nothing more. The
imagery of the countryside and references to Durga were certainly
confined to Bengal. In this song he is seen concerned about Bengal only
aloof from any emotional attachment to India. Even Sri Aurobindo
(Aurobindo Ghose), propounder of Hindu nationalism in India, translated
it as the "National Anthem of Bengal".2
Bankim, as we will see in the translation done by Aurobindo, referred
to “seven crores” [70 million] of people worshipping motherland. This
was the population of the then Bengal Province (which, besides what is
now Bangladesh, included Bihar and Orissa too). So the crucial fact
should not be missed that Vande Mataram touted as symbolizing “Mother
India” was in fact meant to glorify Bengal only, a rather narrow and
regional perspective.
Many are not aware that this song was scantly known during the lifetime
of Bankim himself. In his lifetime it did not capture popular
imagination though it was sung at all Congress sessions by people who
identified Indian nationalism with Hindu ethos. It remained confined to
a fringe group.
In 1905 came Curzon's announcement of the partition of Bengal, and
suddenly Vande Mataram turned into a national mantra, renting the skies
with the protest against the partition of Bengal. Reacting quickly, the
British government banned the song or even raising it as a slogan.
People of Barisal in Bengal bore the brunt of police brutality for
singing this song. Peasant leader Abdul Rasul, was presiding over the
Bengal Congress provincial conference session of 1906 when hundreds
were struck down and grievously injured for singing Vande Mataram. This
brutality at Barisal popularized the song overnight. According to
Bengalee of May 23, 1906, "an unprecedented procession of Hindus and
Muslims singing national songs and crying Vande Mataram and
Allah-o-Akbar passed through all the principal streets of the town.
Both Hindus and Mussalmans carried Vande Mataram flags."3 It is
interesting to know that while Vande Mataram was banned in Bengal, the
British government allowed the Bengali Regiment to attack German
trenches during the first world war with Vande Mataram on their lips.
Soon Vande Mataram became the opening note of all the Congress
gatherings. And the two, Congress and Vande Mataram, became
inseparable, until the early 1930s, when a new controversy about the
song broke out within the ranks of the party. Sections of Muslims,
Buddhists, Jains, Sikhs, Christians, South Indians, secular groups and
even Arya Samajis, objected when the Congress decided to finalize it as
the “national song”. Vande Mataram glorified idol worship, they argued,
as it referred to only Hindu deities (it must be shocking for the
present-day Hindutva brigade that the song does not even once refer to
Ram), and that it expressed only a regional aspiration (it is partly in
Bengali and allegorically talks of “Bengal” as India).
Another objection raised by Muslims and secular Indians said that Vande
Mataram was part of the novel Anandmath, which glorified the
annihilation of Muslims and not the British rule in India. This
objection was very relevant, as even a cursory glance of the novel will
prove. The novel was replete with glorification of incidents of
“cleansing” of Muslims like the following one: "The rural people ran
out to kill the Muslims while coming across them. In the night, some
ones were organized in groups and going to the Muslim locality, they
torched their houses and looted their everything. Many Muslims were
killed; many of them shaved their beards, smeared their bodies with
soil and started singing the name of Hari. When asked, they said, we
were Hindus. The frightened Muslims rushed towards the town in group
after group. The Muslims said, Allah, Allah! Is the Kortn Sareef (sic)
(holy Koran) proved entirely wrong after so many days? We pray namaz
five times but couldn't finish the sandal-pasted Hindus. All the
universe is false."4
Bankim's novel simultaneously glorified the colonial British rule. It
portrayed the British masters as saviours of Hindus. This love for the
British masters and exploiters was clearly visible in the last few
lines of Anandmath. When the Hindu army (Santan rebels) was able to
defeat Muslim rulers and move on to fight the British too, a mystic
leader (Satyananda) appeared and told them: "Your mission has been
successful. You have performed the well-being of the Mother. The
English reign has been established. You give up the war and
enmity-mood. There is no more enemy. The Englishman is our ally King.
Moreover, none possesses such power who can win the war with the
Englishmen ultimately."5 Thus the great leader of Hindu rebellion was
finally able to convince Santans about the historic utility of the
British Raj for the resurrection of the Hindu kingdom and many of them
went to Himalayas renouncing this world. Anandmath, which heralded the
Hindu nationalist movement, is full of such perceptions.
The Congress, which under Jawaharlal Nehru's leadership wanted an
all-inclusive nationalism with special stress on Hindu-Muslim unity,
responded positively to these objections. The Congress Working
Committee (CWC) after long deliberations at Wardha and Bombay appointed
a committee consisting of Jawaharlal Nehru (president of the Congress),
MK Gandhi, Abul Kalam Azad and Subhashchander Bose in its Calcutta
meeting (Oct 26-November 1, 1937).
This high profile committee on Vande Mataram issued a historic
statement on October 28, 1937 with the aim to resolve the controversy.
The statement made it clear at the outset that the first two stanzas of
the song had no religious allusions and only these were commonly sung
even in Bengal. It went on to observe that "the use of the first two
stanzas of the song [which] spread to other provinces and a certain
national significance began to attach to them. The rest of the song was
very seldom used and is even now known by few persons. These two
stanzas described in tender language the beauty of the motherland and
the abundance of her gifts. There was absolutely nothing in them to
which objection could be taken from the religious or any other point of
view."6
The CWC went on to emphasize that "the other stanzas of the song are
little known and hardly ever sung. They contain certain allusions and a
religious ideology which may not be in keeping with the ideology of
other religious groups in India. The Committee while recognizing the
validity of objections raised by Muslim friends to certain parts of the
song... recommend that “wherever the Bande Matraram is sung at national
gatherings only the first two stanzas should be sung, with perfect
freedom to the organizers to sing any other song of an unobjectionable
character, in addition to, or in the place of, the Bande Matraram
song."7
With this judgment the controversy should have been over. But it
didn't. It seems ironical that the present-day champions of Vande
Mataram did not figure anywhere in the struggle against the British.
They cannot name a single martyr for freedom, and their slogans for
Hindu Rashtra only helped the British masters’ divide-and-rule policy
and supplemented the services of persons like Jinnah. The propping up
of an old controversy thus seems to be only for playing the same old
game of dividing the Indian people. The truth of the matter is that
Vande Mataram is just another move in the dangerous game the
fundamentalists are involved in: confusing and dividing people.
NOTES:
1. Cited in P. Thankappan Nair, Indian National Songs and Symbols, Firma, Calcutta, 1987, p. 32.
2.Cited in Bhabatosh Chatterjee (ed.), Bankimchandra Chatterjee: Essays
in Perspective, Sahitya Akademi, Delhi, 1994, p. 601.
3. Cited in P. Thankappan Nair, p. 38.
4. Arabinda Das, Abbey of Delight (English translation of Bankimchander
Chatterjee's Anandmath in Bengali), Bandna Das, Kolkata, 2000, pp.
161-162.
5. Ibid, pp. 191-194.
6. AICC Papers on microfilms, Accession No. 8612 [Roll No. 51], Nehru
Memorial Museum and Library, New Delhi, pp. 0852-0854.
7. Ibid.
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